As we see it to-day, the great temple, 853 feet in length, and 181 feet
across at its greatest breadth, belongs almost entirely to the later days of
the 18th dynasty and the earlier half of the 19th
dynasty, the chief work visible being that of Amenophis ( Amenhotep ) III of
the earlier, and that of Ramses II of the later, dynasty .
But, as in many other cases, the extant work masks the remains of much earlier foundations .
With
the reaction after his death, work was resumed at Luxor Temple, and
Tutankhamûn, Ay, Haremhab, and Seti I proceeded to carry out, but with less
power, an adaptation of Amenhotep's original designs . Their work, however, was
of trifling importance compared with that of Ramses II, who added to the work
of Amenhotep the present large forecourt and pylon at the north end of the
temple . The architect of Ramses in this work was Bekenkhonsu, who has told us
with pride of what he did at Luxor Temple " I erected obelisks therein, of
granite, whose beauty approached heaven . A wall was before it of stone, ever
against Thebes [ reaching down to the sacred lake ] ; and the gardens were
planted with trees . I made very great double doors of electrum ; their beauty
met the heavens . I hewed very great flagstaves, and I erected them in the
august forecourt in front of his [ Ramses's ] temple .
Subsequent to the reign of Ramses II, only a few small additions were made to the building by Meneptah, Seti I, Ramses III, Ramses IV, and Ramses VI . Substantially, however, the temple was complete when Bekenkhonsu finished his work . It was connected with its sister temple at Karnak by a magnificent avenue, bordered by ram-headed sphinxes, of which the Karnak termination may still be seen, leading up to the propylon of Ptolemy Euergetes, in front of the temple of Khonsu . Bekenkhonsu has told us that it was surrounded, like all Egyptian temples, with gardens . Doubtless the river frontage, which makes so much of the charm of Luxor Temple, was magnificently arranged so as to take full advantage of the stately situation of the temple .
Luxor
temple offers a comparatively intelligible example of a temple of the New
Empire, dating between 1410 and 1225 B.C. .
Follow Us ..... Don't Leave .....
Part ( 3 ) ..... Descriptive Notes about Luxor temple ..... Coming SoOoOon .....
Uploading .....
But, as in many other cases, the extant work masks the remains of much earlier foundations .
The fact that when Tuthmosis III built here a shrine
with three sanctuary chambers, dedicated to the Theban triad, Amûn, Mût, and
Khonsu, he placed it on the site occupied at a later date by the forecourt of
Ramses II, and close behind the great pylon of that Pharaoh, would seem to
indicate that the sacred site of the earlier days was here, and not farther
south .
The little colonnade of clustered papyrus columns in
red granite which still faces the court of Ramses II permits of an instructive
comparison between Egyptian architecture in its prime and in its decline . The
delicate and clean-cut grace of the columns of Tuthmosis utterly shames the
clumsy coarseness of those of Ramses . Nobody would dream that both sets of
columns represented the same natural form .
Senmût, the famous architect of Queen Hatshepsut,
tells us in the inscription on his statue found in the Temple of Mût at Karnak,
that he was ' architect of all the Works of the Queen ' at Luxor Temple, as
well as at other places named ; but nothing of his work has survived, and the
shrine of Tuthmosis are the only 18th dynasty work of the earlier
half of the Dynasty that has endured until now .
So far as can be judged, Luxor Temple, up till the
reign of Amenhotep III ( 1412-1376 B.C. ) remained a comparatively unimportant
site, sacred, indeed from ancient days, but undistinguished by any building of
real grandeur . Amenhotep, however, soon changed all that .
Certainly, as we shall see in details when we come to
examine the temple, Amenhotep did his best most honourably for Amûn, even if he
served his own ends thereby ; for his work is by far the finest that we shall
see at Luxor Temple, and finer than nine-tenths of that at Karnak . But he did
not live to finish his great design, and his son Amenhotep IV, better known as
Akhenaten, at once cancelled all work on the Amûn temple, erasing the name of
Amûn in all possible instances, and building a shrine to his new god, the Aten,
within the precincts of the great building .
Subsequent to the reign of Ramses II, only a few small additions were made to the building by Meneptah, Seti I, Ramses III, Ramses IV, and Ramses VI . Substantially, however, the temple was complete when Bekenkhonsu finished his work . It was connected with its sister temple at Karnak by a magnificent avenue, bordered by ram-headed sphinxes, of which the Karnak termination may still be seen, leading up to the propylon of Ptolemy Euergetes, in front of the temple of Khonsu . Bekenkhonsu has told us that it was surrounded, like all Egyptian temples, with gardens . Doubtless the river frontage, which makes so much of the charm of Luxor Temple, was magnificently arranged so as to take full advantage of the stately situation of the temple .
Later, we hear of repairs by Menkheperrê of the 21st
dynasty, and Nesbenebded ( Smendes ), the northern Pharaoh of this period, claims
to have taken steps to repair the damage caused to the temple by a flood .
Shabaka and Shabataka, of the 25th or Ethiopian Dynasty . Hakar of
the 29th dynasty, and Nectanebis of the 30th dynasty,
made small additions to the building ; and Alexander rebuilt the sanctuary .
But during all the later period, the glory of Thebes had been steadily waning,
and Luxor Temple gradually fell into decay and ruin .
The Christians erected churches within the precincts,
and were imitated by the Muslims, whose mosque, dedicated to Abu El-Haggag,
still adorns the forecourt of Ramses II, who was built in Ayyubid era, and, having been rebuilt
in recent years, is likely to prove much more difficult to get rid of than the
Christian churches .
Follow Us ..... Don't Leave .....
Part ( 3 ) ..... Descriptive Notes about Luxor temple ..... Coming SoOoOon .....
Uploading .....
No comments:
Post a Comment