Also known as the Standard-Bearer ( or Fan-Bearer ) to the King . Maiherperi
must have been high in favour with Queen Hatshepsut to be allowed a tomb in the
valley . His funerary furniture, including a specially fine copy of The Book of the Dead, with coloured vignettes,
found in the tomb, and Maiherperi's canopic chest of resin-coated wood with
gilded details, now occupies several cases in U 17 ( 3800-3823 ) at Cairo
museum .
History and excavation
The
burial of Maiherperi, a child of the royal nursery and royal fan-bearer, was
brought to light by Victor Loret during his second season of work in the Valley
of the Kings in March 1899, cut into the floor of the wadi midway between the
tomb of Amenhotep II ( KV35 ) and the tomb of the Chancellor Bay ( KV13 ) .
Although KV36 ( as the tomb is now numbered ) was the first substantially
intact burial to have been discovered in the valley in modern times, it never,
for some reason, attracted the attention it deserves – perhaps because, like so
much work, it was never scientifically published . Indeed, the only account we
possess of the burial in situ is a semi-popular description prepared by the
Egyptologist Georg Schweinfurth . His article, general though it is, does
permit a tentative reconstruction of the layout of the burial as Loret first
encountered it . The tomb is uninscribed .
Who was Maiherperi ?
" … on the copy of The Book of the Dead found in the tomb …, Maiherperi is depicted with his face
black instead of the normal red, and a detailed examination of his mummy, which
showed that he died at about 24 years of age, also showed that he negroid, but
not actually a negro " . By : Reginald Engelbach .
The mummy of Maiherperi was examined on 22 March 1901, and the results
of that autopsy prompted Mr. Gaston Maspero to put forward the suggestion that
the owner was a royal son by a black queen . Since Maspero is consistently
referred to as " child of the Kap ", or royal nursery,
however, the greater likelihood is that he was no more than a close companion
of one of the kings of the early 18th Dynasty during his childhood .
A linen winding-sheet from the tomb carries the cartouche of Hatshepsut, but most
commentators today would date the burial rather later, perhaps in the reign of
Tuthmosis IV, on the basis of the tomb's contents .
The problem of the " extra " coffin
The
mummy of Maiherperi lay within two anthropoid coffins and an outer wooden
shrine of rectangular form . A third anthropoid coffin, smaller in size, lay
unused in the centre of the chamber . Although Maspero's explanation has a
charm of its very own ( tired of resting within the one, [ Maiherperi ] could
move to the other ), the likelihood is that this " spare " coffin had
originally been intended as the innermost of the set . Having been employed to
carry Maiherperi's mummy in the funeral procession, on arrival in the burial
chamber it was found to be too large to drop smoothly, as intended, into the
nested second and third coffins already positioned within the tomb .
Interestingly enough, a similar situation faced the workmen charged with
placing the second coffin of Tutankhamun ( which had perhaps not originally been
intended for this king's use ) within the first, outermost coffin . But whereas
in the tomb of Tutankhamun the problem could be swiftly resolved by a few
judiciously aimed adze blows, in the case of Maiherperi's ill-measured
innermost coffin nothing could be done . After much fruitless pushing and
jamming, Maiherperi's mummy would seem to have been hastily ejected from its
over-large third coffin and placed within the smaller of the two nested coffins
around which the large wooden funerary canopy was then erected . The unused
third coffin was abandoned where it lay .
The mummy of Maiherperi, and the robbery of the tomb
When
Loret entered the tomb, the mummy of Maiherperi still lay within its outer two
coffins, though the tenons joining lids to bases had already been broken in
antiquity and the mummy rifled – the bandages, over the arms in particular,
having been crudely hacked away with an adze . Most of the funerary jewellery had
been carried off by the robbers .
Further evidence of robbery could be seen in the
general absence not only of jewellery but of all portable metalware, and also
of non-funerary linen and clothing . The containers of ben-oil had had their
sealed linen coverings ripped away, but had then been discarded ; the oil was
evidently too old to be of interest . Following the plundering of KV36, the
tomb appears to have been subjected to a hasty, semi-official tidying up,
similar to that seen in the tomb of Yuya and Tjuyu ( KV46 ), and reclosed
.
All the indications are that the culprits, both here
and in KV46, were members of the necropolis workforce who had stumbled upon the
tomb in the course of their work ( attested by a series of 19th-20th
Dynasty ostraca recovered by Carter in 1902 ) in the immediate vicinity of the
shaft entrance, and that the " restorers " of the damage were their
superiors, anxious to avoid scandal, investigation and recrimination .
Part ( 34 ) .. Coming
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Your post on Prince Maiherpri carries the racist undertones so common among "Peer Reviewed Experts" and their 'learned followers'. These are the "facts" based on the artifacts that were not sent to private collections. 1. He was buried next to Amenhotep II, this denotes his very high rank. 2. His wrapping linens bore the titulary of Hatshepsut (NOT Thutmoses IV), this means that he transitioned during her Service. 3. He was identified, by the Kemites, as a "Child of Kapu (Kap)", which meant "Royal Nursery" for children "of the FEMALE LINE", as ALL "Horus Kings", throughout Kemit's pre dynastic and dynastic history practiced what they called "Sacred Matriarchy". 3. The remains of gold sandals were found on his feet. Gold sandals were an "exclusive" prerogative of Kemitic Royals. Prince Maiherpri was the son of Hatshepsut and Senemut, their other child was Neferure...
ReplyDeletefirstly; I would to thank you Mr. Asar for reading my article . Secondly; I would to thank you again for these useful and worthy informations .
DeleteThe fact that Maiherpri was painted in very different way from the egyptians even in his tomb and the fact that his mummy having african characteristics says that he was not egyptian but forigen nubian most likely from the Medjay tribe.
DeleteMasterOfAnimals ::: May be
Delete