Tuesday, February 14, 2017

KV23 ( WV23 ) – Tomb of Ay .. Part ( 17 )

It will be remembered that after the death of Akhenaten, and the short reigns of Smenkhkere and Tutankhamun, the throne was seized by a priest, " The Divine Father Ay ", who had no claim to royal descent, and was not even of high rank in the priesthood .




King Ay was the penultimate of the 18th Dynasty, and his tomb was excavated near to that of Amenhotep III at the end part of the Western Valley ( WV ) . It is accessible . This was the last tomb to be used in this part of the valley, this is the first time that the Pharaoh's tomb has a completely straight plan, without a curve . It is believed today that it was originally prepared for Tutankhamun, but as it was not finished when he died, the young Pharaoh was buried in a smaller tomb of the valley ( KV62 ).



The tomb was discovered in the winter of 1816 by Giovanni Battista Belzoni ( Expedition led by Henry Salt ) which immediately began the first excavations, and they picked up in 1908 by Howard Carter with the displacement of the fragments of the sarcophagus to Cairo for Mr. Gaston Maspero who had them re-assembled and reconstituted in the Egyptian Museum in Cairo and returned to the burial chamber in 1994 but in the reverse of its original orientation . Finally in 1972, Mr. Otto John Schaden continued the excavation on behalf of the University of Minnesota and completely cleared the tomb .



The tomb consisted of a corridor and a flight of steps, with a small chamber leading into the burial-hall, which is adorned with paintings in which the king is shown boomeranging birds ( Boomerang : is a curved flat piece of wood that can be thrown so as to return to the thrower as a hunting weapon ) and plucking bulrush, as if he had only been an ordinary nomarch ; while others show him standing in the presence of his fellow-gods and goddesses .



The tomb, which remained unfinished, extends over a total length of just over 60.16 m . The all corridors and chambers of the tomb are undecorated and unfinished, except the burial chamber, and the sloping corridor ( B ) has a pair of square beam holes in the side walls near the end of it, which served as a beam anchoring to allow the sarcophagus to descend the steep staircase .



The first stairwell ( C ), which has a staircase just after the first corridor, has probably not been fully excavated, for this reason that it is often considered as a corridor . By another corridor ( D ), leading to a large enough square antechamber ( E ), which precedes the burial chamber ( J ), it is undecorated and it is the usual location of the well shaft, but here it was not cut through the level floor .



The burial chamber ( J ) is the only decorated chamber in the tomb, with scenes of The Book of Amduat, and The Book of the Dead, and the representations of Pharaoh with various deities . Its paintings show a curious mixture of the ritual type of work, in which the king stands before the gods, and the popular type in which the dead man is shown as engaged in ordinary occupations of life . The whole decorations in the tomb are the same decorations and style that in the tomb of Tutankamun ( KV 62 ) .



When we entering the burial chamber ( J ) with a wooden floor, and on the right-hand ( east wall ) of the destroyed wall, there is a scene showing the king fowling and sailing in the papyrus marshes with his Consort Tiy ( the Great Royal Wife, his beloved, the Lady of the Two Lands ), using a boomerang in hunting twelve birds which may have as a symbolic of the twelve hours of the day and the night, and also harpooning . The figures of the king and his wife and their cartouches in intentional damage .



On the north wall ( Monkey wall ), we see a large scene of the first hour of The Book of Amduat . In the upper register and from the left hand side there is a representation shows five deities of the solar barque ( from left to right : Maet, the Mistress of the Barque [ Nebet-wia ], Horus, Ka of Shu and Nehes ) . On the middle, the solar boat is sailing with two figures of Osiris and scarab . On the right side, there is a short text representation Re travelling to the underworld .



In the lower register there is a large rectangle, which is divided into twelve boxes, each of these twelve small rectangles contains the representation of a seated baboon with two names . And between the two registers, is a red hieroglyphic inscription which contains a brief two introductions : names of the gods opening the gates for the great Ba and names of the gods who sing praises to Ra when he enters into the underworld .



On the west wall, and from the right hand, is a scene of the king embraced by Osiris-Wennefer (the great god, master of eternity ) with the dark green face and the Atef-crown . Then comes a scene representation the king followed by his Ka before Hathor and Nut, all of the king's figures and cartouches are intentionally damaged .



On the south wall, comes texts and representations from The Book of the Dead . In the upper register there is a scene shows the goddess Nephthys stands between two of solar barques, the left one carries two standing falcons that is called " The Mandjet  Barque ", and the right one carries the nine gods of the Heliopolitan Ennead ( from left to right : Re-Horakhty, Atum, Shu, Tefnut, Geb, Nut, Osiris, Isis and Horus ) . And the lower register is a text from the chapters 130, 141, 142 and 144 of The Book of the Dead describe the eternal life given to the souls of the dead, and they show the doors of the underworld .



A low gateway near the southern end of the west wall of the burial chamber leads into an undecorated side chamber or annexe ( Ja ), it is probably used for storage the canopic equipment and additional tomb burial objects .



Above the entrance of the side chamber, and from the burial chamber, there is a good and beautiful representation of the four sons of Horus as deified kings seated before offering table, which appear here for the first time in the tomb . On the left, are Duamutef and Qebehsenuef wears the white crown of Upper Egypt, while Imsety and Hapi on the right wears the red crown of Lower Egypt .



Ay's sarcophagus is of red granite, and its lid is vaulted . The entire sarcophagus resembles the of Tutankhamun's in form and decoration , and the scenes on the sarcophagus are from The Book of the Dead . The four deities of protective ( Isis, Nephthys, Selkis, and Neith ) are also depicted on the corners with spreading wings . On the two long sides are represented two winged solar disks .



The tomb goes by the name of Turbet el-Qurud, " The Tomb of the Apes ", from the twelve cynocephali which figure in this burial-hall . It will be remembered that Ay's unfinished tomb at El-Amarna has preserved for us the only extant copy of the long version of the Hymn to the Aten .





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