Turning back on our tracks from the tomb of Amen(hir)khopshef, and
taking the right-hand track at the fork of the paths, we pass two unnamed
tombs, 54 and 53, and on our right hand we see the tomb No. 52, the tomb of
Queen Titi, or Teyet or Tyti .
This tomb lies a little farther on that of Nefertari, and is one which
deserves to be seen, as the colour in its scenes has been wonderfully well
preserved .
We now pass out of the first hall and descend another staircase . This
is decorated with figures which are admirably disposed so as to make the best
of the space available .
Arriving at the valley, we take the path to the right, which leads to
the tomb of Nefertari, the favourite queen of Ramses II, familiar to everybody from
the frequent repetition of her graceful figure on the colossi of the great
king,
The Valley of the Tombs of the Queens is locally known as Biban el Harim, as that of the Tombs of
the Kings is called Biban el Muluk . It is situated at the
south end of the Theban Necropolis,
Thirty yards or so north of the temple, the Sacred Lake lies in a corner
of the enclosure . It was constructed of masonry, and was about 60 feet square,
with two flights of steps, one at each of its southern angles .
We now pass out towards the High Gate on our way to the 18th
Dynasty temple, and notice on our way the remains of a small gateway of
Nectanebis I leading into its sacred enclosure .
South of the first court are the remains of the palace which Ramses
built for himself, with what seems to us curious callousness, in the closest
connexion with his own mortuary temple .
We
now enter the First Hypostyle Hall, whose extraordinary appearance is due to
the fact that part of the Coptic village of the place was built above it .
Leaving the pavilion, and the other temples to right and left, we pass
straight across the court to where the great pylon still rises to an impressive
height, though its upper portion, with the overhanging cornice, has vanished .
Before us there now lies the Great Temple of Ramses III, which, alone of
the great temples of the New Empire, the native period of Egypt's glory,
survives in a state of reasonable preservation .
This is, of course, the supreme object of interest at Medinet Habu, and
to it most of our attention must be devoted . In approaching it, however, we
have first to pass the pavilion of Ramses III,
About three-quarters of a mile from the Memnon colossi lies the
southernmost group of the long line of mortuary temples which extends along the
whole eastern face of the Theban necropolis .
We next come to the Small Hypostyle Hall, whose roof, in good condition,
is supported by eight papyrus-bud columns . It is decorated with astronomical
figures, and representations of the king before the gods .
The Second Court, which we now enter, though badly ruined, is in better
condition than the First . On the north and south sides it had a double row of
columns,
The great eastern pylon which formed the entrance to the First Court is
now a ruin ; but it was originally 220 feet across the front of its twin towers
.
This great temple, though unfortunately largely ruined, is of such
importance as to deserve a visit to itself, in which case it is most easily
approached by the pathway which leads across the cultivation from the Memnon
colossi and the landing-place on the west bank of the Nile ;
Crossing the upper court to the doorway at its south-eastern corner, we
notice that the east wall of the court has on its southern half reliefs, only
partially preserved, of a procession of soldiers in gala equipment, carrying standards,
and leading panthers .
To the south of the Punt colonnade stands the partly ruined shrine of
Hathor, corresponding in position to the chapel of Anubis at the end of the
north colonnade .
We now return to the middle court, and go round the end of the ramp in
order to reach the southern colonnade, on whose walls are the famous scenes of
the voyage to Punt .
We now return to the north, or Birth Colonnade, the reliefs on the rear
wall of which represent the state fiction by which Hatshepsut was regarded as
the actual child of Amûn by the Queen Ahmôse, the wife of Tuthmosis I .
We now rise to the middle terrace, and have before us a picture of great
beauty and interest . In front of us is the colonnade which stands in front of
the retaining wall of the next ( upper ) terrace .
The original approach to the temple was by an avenue of sphinxes leading
up from the plain . This led up to the first portal, now almost completely
destroyed .
The buildings at the temple show signs of the dynastic troubles of the
time . In the main, the building is Hatshepsut's ; but the names of her father
Tuthmosis I,
Hatshepsut's beautiful temple has always been, and still is, one of the
most deservedly famous of Egyptian temples . Since the discovery of the 11th
Dynasty building
The Forecourt of Ramses II, which we now enter, need not dating us long
. Its chief significance to us is an illustration of the degeneration of
architectural conceptions and forms within the comparatively short space of a
century .
The reliefs on the side-walls of the Colonnade Hall of Amenhotep III are
of fine work, and of especial interest, portraying, as they do, one of the
great religious festivals of the Theban year .
We must now retrace our steps to the Forecourt of Amenhotep where we
first entered the temple, in order that we may complete our survey of the 18th
dynasty buildings by viewing what is doubtless the most imposing part of the
whole temple,
From the birth-room, we pass into another three-columned chamber, whose
reliefs are much damaged, and thence we enter the later Sanctuary, which was
originally a four-columned vestibule before the earlier Sanctuary,
We now return to the Hypostyle Hall, in order to get access, by passing
out of the temple, and re-entering it on the right hand, beyond the First
Vestibule, to the Birth-room, which as we have seen, was at least one of the
reasons for the building of the whole temple .
From the Forecourt, we now pass into the Hypostyle Hall, which has 32
columns, arranged in four rows of eight columns each . Ramses IV and Ramses VI
have usurped the columns by inscribing their cartouches on them .
The great Forecourt of Amenhotep III, or as it is called ( Sun Court or
Solar Court ) is one of the most perfect and noble examples of good 18th
dynasty work . It measures 148 feet in depth from north to south, and 184 feet
in width from east to west .
The present entrance to the temple is by the great pylon to the north, this
mode of entrance has the advantage that the visitor is thus introduced to the
different parts of the temple in their historical order of succession .
As we see it to-day, the great temple, 853 feet in length, and 181 feet
across at its greatest breadth, belongs almost entirely to the later days of
the 18th dynasty and the earlier half of the 19th
dynasty, the chief work visible being that of Amenophis ( Amenhotep ) III of
the earlier, and that of Ramses II of the later, dynasty .
Of the two great temples of Thebes ( east bank ), that
of Luxor Temple, though by no means so imposing as its vast neighbour at
Karnak, should perhaps be the first to be visited .
We now leave the enclosure of Montu by the
south-eastern gate, built by Nectanebis II, and re-enter the great enclosure of
Amen-Rê and proceed eastwards, passing a sgrine of the Ethiopian Pharaoh
Shabaka, consisting of a twelve-columned hall, with tables for offering ranged
round its brick walls .
We now pass through a gateway in the north temenos wall of the great temple, and reach the brick wall
surrounding the precinct of the temple of Montu, the most ancient god of Thebes
.
We return, therefore, through the southern buildings
of the great temple to the Hypostyle Hall, from the middle of the north wall of
which a paved path leads to the temple of Ptah .
This temple, dedicated to the goddess Mût, consort of
Amen-Rê, is very picturesquely situated at the end of the eastern avenue of
sphinxes, leading from pylon X of the southern buildings of Karnak .
The rectangular slots in the southern face of this
pylon, which once held the great flagstaves, should be noticed . They bear the
obvious traces of the action of fire, as the stones have been split in every
direction .
Pylon VIII, which closes in the south side of this
court is the work of Hatshepsut, though the work upon it has suffered many
usurpations . Hatshepsut's name was erased from the reliefs by Tuthmosis II .
Pylon VII, which is now in front of us, is the
work of Tuthmosis III, and bears a record of his victories in the usual form of
cartouches of conquered tribes and cities, with a relief of the king slaying
his enemies in the standard fashion .
We have now finished our survey of the main building
of the great temple ; but, besides the scattered remains of small temples and
shrines which lie within the great temenos of Amûn, there is a
very considerable southern extension which contains a number of reliefs and
inscriptions of great interest .
We are return to the small temple of Ramses III, which
interrupts the row of Bubastite columns on the south side of the court . Being
of 20th dynasty date, this temple was obviously here before the
court came into being, and it is plain that Ramses III considered the great
temple to be completed by the pylon ( No. II ) of Ramses I which, in his day,
formed the west front of the temple ; otherwise he would never have placed his
temple where it was bound to be absorbed in any subsequent extensions .
We now emerge from this somewhat complicated part of
the temple into an open court where the 12th dynasty temple
originally stood . The scanty fragments which remain are mostly flush with the
ground . Beyond the ruined walls on the left hand ( north ) of this court, and
between them and the series of walls which enclose the temple to the north are
two wells, one of them approached by a stair .
In front of us, as we pass the VI and the last pylon
of the main temple, a small and ruined structure of Tuthmosis III, with a
granite gateway . On either side of the gateway is the well-known list of the
conquests of Tuthmosis, which takes the usual form of a series of ovals with
emergent figures, each oval bearing the name of a conquered city or locality .
The list on the left-hand side is of particular interest, as it records, the
tribes of the Upper Retenu ( Syria ) which His Majesty took in the wretched
town of Megiddo .
We pass through pylon No. IV, which formed the west
front of the temple in the days of Tuthmosis I, but is now sadly ruined . The
doorway was restored by Alexander The Great, the first of the later intrusions
which we have to notice in this earlier part of the temple .
We now cross the Hypostyle Hall again, and go out by
the south door, in the middle of the south wall, to view the reliefs of Ramses
II . These relate to his campaign against the Hittites . The wall of the first of
the southern courts of the temple projects from the middle of the east section
of the south wall of the Hypostyle Hall, and on the western face of this
projecting wall, in the angle formed by it with the wall of the hypostyle, is
inscribed the treaty of peace, which was made between Ramses and Hattushilish,
King of the Hittites, in the twenty-first year of the Egyptian king .
Before we pass on to the eastern portion of the
temple, which is mainly also the earlier portion, it is advisable to pass to
the out-side of the hall, in order to see the historical reliefs which are
carved on its south and north walls, and on the south wall of the pylon of
Ramses I . We shall take these reliefs in their historical order, beginning
with those of Seti I, which are on the north wall .
Before the colonnade of Taharqa are two large
pedestals for statues, and at the farther end of the colonnade ( east ) are the
remains of statues of Seti I .
We now enter the Great Forecourt, sometimes known as
the Court of the Bubastites, from the fact that is was mainly erected by the
Pharaohs of the Libyan or 22nd dynasty, whose capital was at
Bubastis .
Before us is the stupendous Ethiopian pylon which now
constitutes the west front of the temple . It is 370 feet wide, 142½ feet high,
and 49 feet thick . Before we pass it, let us to realize on how colossal a
scale the house of Amûn before us was built and endowed .
Leaving the temple of Khonsu, we proceed northwards
for a short distance . Our road, after running along the side of the temple,
turns somewhat towards the west at the north end of the building, then after a
little bends round to the north again,
From
Luxor the Shari' el-Karnak leads straight to Karnak, which it reaches by the
western avenue of ram-headed sphinxes, erected by Amenophis III . Approaching
the site thus from the south-west, we are on the flank of the great temple
instead of its front, and our first acquaintance with the group of temples
which together make up Karnak is made as we reach the temple of Khonsu . This
small temple was dedicated to the son of the Theban triad, the moon-god .
Her successor, Tuthmosis III, made
considerable additions to the growing building . He sheathed the obelisks of
Hatshepsut in masonry up to the roof of the cedar hall, so that the
inscriptions of the great queen should not be visible; but his other works were
more worthy of his name .
Karnak and Thebes rose and fell
together, it was with the rise of The Middle Kingdom that Amûn and his temple
really begin to come into the prominence which they never afterwards lost, save
for the brief interlude of Atenism, until the fall of the Empire .
Near the southwestern
corner of the Amun Temple are the royal tombs of the 21st and 22nd
dynasties ( Psusennes I, Osorkon II, Takelot II, Amenemope, Sheshonq II,
Sheshonq III ) discovered by Pierre Montet in 1939 .
The temple and its
surrounding area are today a jumble of blocks, columns and mounds of rubble,
but although few architectural features remain intact, the site has fortunately
revealed much of its complex history .
Propylon ( noun ): The porch , vestibule , or entrance of
an edifice . And that serves as the entrance to the Acropolis in Athens . In ancient
Egyptian architecture, a monumental gateway, usually between two towers in
outline like truncated pyramids, of which one or a series stood before the
actual entrance or pylon of most temples or other important buildings .
Ranged
around the central area of the temple's shrine were chambers where the statues
of visiting deities would be placed – sometimes with connected suites of rooms
for the visitor's use ; storerooms for cultic equipment such as the clothing
for the god's image , incense , etc ; vesting chambers where the priests would
prepare themselves for special ceremonies ; and other rooms having to do with
the daily course of temple ritual .
- Beyond the stone enclosure wall , there are
the ruins of various outlying buildings of the complex .
- Moving towards the main temple from the gate
and on its western side are the remains of the Roman period birth house built (
mammisi ) by Augustus shortly after Egypt was added to the Roman Empire .
19 - The staircase to the west of the offering
hall , which was used by the priests to ascend to the roof , ( with the
ascending figures of the king and various priests with the shrine of the
goddess carved on its right-hand wall ) gave access to the roof of the temple
and a chapel , where the goddess stayed overnight before beholding the rising
sun in a symbolic union with the solar disc .
1 - The
whole complex covers some 40,000 square meters and is surrounded by a
hefty mud brick enclosed wall , while its original space is amounts to 81m
× 38m , and it includes many temples and religious buildings .
Dendera
temple is one of the most important and latest temple sites of Egypt, and
provides examples of a particularly rich variety of later temple features
.